Posted by Kevin Boyd, 29 January 2018.
In the first of what I hope may develop into a series, I’m posting this infographic telling the story of Martin Carthy’s first solo album. Click on the image to view in full size.
Posted by Kevin Boyd, 9 April 2017
Fledg’ling Records will release a newly-remastered version of Martin Carthy and Dave Swarbrick’s rare 1967 EP “No Songs” for UK Record Store Day (RSD) on 22 April 2017. “No Songs” has been one of Carthy’s harder to find releases and this is the first time it has been reissued in its entirety since 1967. Only a couple of tracks have received limited release on CD.
The new version will feature a facsimile reproduction of the original front-laminated, flipback outer sleeve and a new inner sleeve illustrated with rare photographs. The limited edition 50th anniversary release commemorates the life of Carthy’s long-term musical partner Swarb, who died in 2016.
As with all RSD releases this will only be available to buy in person on 22 April at participating UK stores but unsold copies of previous RSD releases from both Fledg’ling and Topic Records have been made available to buy online shortly after the actual day.
Posted by Kevin Boyd, 2 October 2015
Martin Carthy: Vocals, guitar
Tony Cox: Synthesiser
“Palaces of Gold”
Released in the UK 1976 by Topic Records STOP 7002
Also on the album “Crown Of Horn”
First released in the UK 1976 by Topic Records 12TS300
Posted by Kevin Boyd, 25 September 2015
Here’s a video I just made of me playing the single version of Norma’s “Red Wine and Promises” on my new Crosley Cruiser record player.
Norma Waterson: Vocals
Martin Carthy: Guitar
Written by Lal Waterson
c/w “Rubber Band”
Released in the UK 1972 by Transatlantic Records BIG 507
From the album “Bright Phoebus”
Released in the UK 1972 by Trailer Records LES 2076
Posted by Kevin Boyd, 19 April 2015
I thought it would be interesting to compare this edition with my original 1965 Fontana records copy (mine is the mono edition) so what follows are a series of compare and contrast photographs of the 1965 and 2015 editions.
The immediately obvious difference with the 2015 edition is the removal of the Fontana logo from the top right corner which has been handled very well compared with previous re-issues which either cropped the entire section of the cover (the 1970s vinyl re-issue) or blocked out the logo in black (the CD re-issue). This works so much better. Otherwise the cover is a faithful reproduction of the original although the new edition has a slightly more prominent blue hue whereas the original tended towards green in places (I accept that this could be due to the age of my copy). On closer inspection the image on the new edition is reproduced a little darker with higher contrast and saturation but slightly lower image definition and the text in the top right appears to have been re-set.
Again, this is a faithful reproduction of the original but with some slight alterations. The MARTIN CARTHY text has been re-set in a different (but similar) font. The track listing and main sleeve notes on the new edition appear to be the same font as the original but have again been re-set so there are a few discreet changes in layout and text placement. The necessary addition of the Topic logo, copyright notices and barcode are slightly less discreet changes. The main difference between the two editions is in the manufacturing method – the original 1965 mono edition features the then-standard ‘foldback’ sleeve with paper label pasted on top whereas the new edition is ‘fully-laminated’ (some later ’60s Fontana editions were also ‘fully laminated’ so arguably this is a ‘faithful’ reproduction but it obviously differs from my early copy).
Inner Sleeve, label and spine
The 1965 edition only included a plain (blank) inner sleeve but the new edition has an attractive picture inner sleeve that reproduces a Karl Dallas review of Martin’s first two albums (no date given) and a transcript of his classic arrangement of Scarborough Fair. The labels are completely different by necessity and it’s nice to see one of Martin’s albums featuring the now-classic blue and silver Topic label design. Finally, the title and catalogue number on the spine differs from the original.
Posted by Kevin Boyd, 23 February 2014
It’s been a busy week for Topic Records at the BBC Folk Awards: as well as Martin and Eliza using the occasion to debut a number of songs from their forthcoming duo album, another Topic act The Full English performed at Wednesday night’s ceremony and received awards for Best Group and Best Album. In the middle of all this Topic announced that Martin and Eliza would feature on the label’s 2014 UK Record Store Day release with a 7″ single of “Happiness” due on 19 April.
2014 will be the seventh UK Record Store Day and Topic have previously participated with releases by June Tabor & Oyster Band (2012) and Davy Graham (2013). These were exclusively available in physical format as limited runs of 1000 copies on 7″ vinyl from participating stores on the day of release with remaining copies being made available via Topic’s website at later dates. Digital versions can be downloaded via iTunes.
It’s safe to assume that the release of “Happiness” will follow the same format. This will be the first available track from Martin and Eliza’s new album “The Moral of the Elephant” as the 19 April release date will be some six weeks before the album is issued on 2 June. As yet there has been no announcement on the single’s B-side(s) or catalogue number but I would expect the latter to follow recent patterns and be assigned STOP2014. More detail to follow as and when it becomes available.
Edit : 24 February
Topic Records posted the following response:
“Martin & Eliza’s RSD single will have the catalogue number STOP2587.
We will shortly be announcing our other Record Store Day release which will have the catalogue number STOP2014…..
Read my review of Topic’s 2013 Record Store Day release (also available here)