Rarities: ‘Byker Hill’ South Korean mini LP replica CD

7 May 2017

Posted by Kevin Boyd, 7 May 2017

Byker Korea 06

Mini album CDs are scaled-down reproductions of albums that were originally issued as 12” LPs and are perhaps most popular in Japan. Packaging reproduces that of the original vinyl LP rather than any later CD reissues and will often include any inserts or inner sleeves that may not be included in the standard CD.  A paper insert with additional information in both English and Japanese may also be included and an ‘obi strip’ – a small strip of paper or card wrapped around the cover – is a standard feature.

This is an August 2015 release of Martin’s 1967 Byker Hill album from Media Arte Records and rather than being from Japan this was issued in South Korea. It’s something I picked up around a year ago but have been reluctant to post here as I wasn’t sure if it was a legitimate release or one of the many available pirate/bootleg issues. I was recently reassured by David Suff of Topic Records that this was indeed a legitimate issue so I’m happy to post some detailed pictures here.

As you’ll see, reproduction of the original Topic LP sleeve and label are of a high quality and while the mastering on some Japanese albums gives a notoriously ‘brittle’ sound, the sound quality here is at least as good as the standard issue Topic CD of the same album.

There are now a number of Japanese mini album CDs of Martin’s solo and duo albums available – just last week a pirate version of his first album was released – but this is the only issue I can confirm as a legitimately licenced product. As it’s also the only one I actually own I can’t vouch for the quality of any other releases in terms of the overall packaging or sound quality so I guess a general ‘buyer beware’ warning should go along with any of these items. And of course, it goes without saying that neither Martin nor Topic Records (or any of the other relevant artists or labels) will receive the necessary royalties from pirate releases.


Happy Bonny Black Hare Day

14 May 2014

Posted by Kevin Boyd, 14 May 2014

Every year on 14 May a handful of my Facebook friends post “Happy Bonny Black Hare” messages with links to videos of the song by assorted folkies. I got fed up of searching for Martin and Swarb’s version and not finding anything so I decided to make my own. Enjoy… and Happy Bonny Black Hare Day!


How To Buy: 1960s Fontana Albums

10 March 2013

Posted by Kevin Boyd, 10 March 2013
(edited: 16 March 2013, 17 April 2017)

This is the first of a series of posts describing what to look for when buying rare Martin Carthy records, CDs and memorabilia. The posts are designed to give you a better idea of how to identify harder to find examples and what you should expect to pay. The valuations I suggest are purely subjective so it’s worth shopping around and remembering that any item is only worth what you are prepared to pay.

This first post concentrates on Carthy’s 1960s albums on the Fontana label. To avoid complicated explanations and in common with the standard across this entire site I consider ‘solo’ releases to include both Carthy’s purely solo issues and his duo albums with Dave Swarbrick. In terms of collectibility these releases can broadly be grouped together as they share a number of common characteristics which I’ll discuss here but there are also a handful of less common variations which distinguish the original issues from later pressings.

How To Buy 3

Packaging design and construction
The standard packaging method for vinyl albums from roughly the mid-1950s onwards was the ‘wrap-around’ (or ‘flipback’) sleeve. The front cover is printed in colour and laminated but the back cover is unlaminated with black text on a white background. The laminated front section wraps around the printed back panel which tucks under and fixes to three exposed ‘flaps’. In some cases the back card panel is blank and a single printed paper sheet is pasted over the entire back section, partly covering the laminated flaps. By the late ’60s fully laminated sleeves were more prominent, consisting of a single component part, printed in full colour and completely laminated. The back section was fixed outside the flaps allowing the use of seamless full-colour printing across the entire sleeve. This was the method generally used for all subsequent releases in the vinyl age.

Identifying original pressings
Examples of Carthy’s 1960s releases utilising all these construction methods exist and understanding them can be useful in determining when a particular pressing was produced. Carthy’s first album, Martin Carthy, issued by Fontana in 1965, was pressed in both mono and stereo versions and original examples have the wrap-around sleeve with a single paper sheet pasted over the back cover. Second Album (1966), Byker Hill (1967) and But Two Came By… (1968) were all originally issued with wrap-around sleeves without the pasted paper section (i.e. with the back cover info printed directly onto the card sleeve) and Prince Heathen (1969) was the only example to have originally been issued in a fully laminated sleeve.

How To Buy 1

I discussed matrix numbers in a previous post and all original Fontana releases have the first section of the matrix number printed under the catalogue number on the back sleeve. The number also appears on the record label under the 33⅓ and stereo (or mono) symbols and the labels themselves are all printed in black and silver on original pressings. Matrix numbers for the stereo releases all begin with 886 whereas my 1965 mono copy of Martin Carthy has a number beginning with 687 as does the mono copy of Second Album in Reinhard Zierke’s collection (see the relevant scans on Reinhard’s website).

Later pressings
In my collection I have what I take to be a later pressing of Second Album with a fully laminated sleeve and blue and silver Fontana labels. The matrix number doesn’t appear on the back sleeve but it is on the printed label. Fully-laminated versions of Byker Hill and Martin Carthy can also be found and although I’ve never examined copies in detail I do know that the labels on Byker Hill are black and silver. I don’t know when these versions were issued but I guess they date from the later ’60s or very early ’70s. Two other distinguishing features of these issues is the lighter vinyl which again suggests a pressing date some time after their original 1965/66 releases and somewhat lighter card used in the sleeve construction but these difference may only be apparent when compared directly with an original pressing.

How To Buy 2

Valuations
As a general rule the value of collectable records, as with any collectables, is dictated by a combination of rarity and availability. A number of years ago it would have taken some effort, and the occasional stroke of luck, to track down decent copies of Carthy’s Fontana output and prices reflected this. With the recent ubiquity of eBay, Amazon and other online retailers these releases are now much more widely available to the average collector despite being technically no less scarce, but prices remain relatively high. Personally I would be reluctant to pay more than £25 for a mint condition stereo copy of any of the Fontana albums, with the value decreasing by degrees in line with the condition of the specific copy. A cursory review of eBay on any given week reveals prices for original pressings (rarely in mint condition) ranging from around £15 up to £50 or more with the majority sitting at the upper end of this scale. This general overpricing seems to be most common with Carthy’s first album, which is rarely offered for less than £25 and often starts at twice this price, which seems odd as its constant availability on eBay suggests that it is the least scarce of the Fontana releases.

Perhaps the rarest of the Fontana releases is the mono version of the first album so if any release warrants a value at the higher end of the scale it is this. The highest price I’ve seen quoted for this release is €100 (around £85) which seems excessively high and I’d suggest a more realistic value would be somewhere between £35 and £50. It may also be worth pointing out here that mono copies of the first album differ from stereo in that they have a greenish tint to the front cover photograph, whereas stereo copies have a more distinctive blue tint.

First Album mono stereo covers

The later reissues with laminated sleeves and blue/silver labels may in fact be scarcer than the original black/silver label releases with wrap-around sleeves. But a combination of the laminated sleeve, the ‘wrong’ colour label in some cases, lighter vinyl and (most crucially) the simple fact that they are not the original pressings are likely to make them less desirable for most collectors. This will be reflected in the price, which I would expect to be anything up to 40% less than the original pressings.

How To Buy 4

Grading vinyl
Prices quoted are for mint condition copies only. The industry standard Record Collector grading system describes mint as follows: “The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition”. Lower quality copies will clearly warrant lower prices by relative degrees and since Carthy’s Fontana releases are now over 40 years old you’re unlikely to find many mint copies so this should be borne in mind when considering how much to pay.

How To Buy 5

Summary
Here’s a checklist of characteristics to look out for on original 1960s Fontana pressings.

Martin Carthy (1965)

Sleeve: wrap-around / pasted paper back cover
Label: black & silver
Catalogue number: STL 5269 (stereo – ‘blue’ cover)
TL 5269 (mono – ‘green’ cover)
Matrix number: 886 752 (stereo) 687 355 (mono)
Later re-issued with fully laminated sleeve (label colour unknown)

Second Album (1966)

Sleeve: wrap-around / printed card back cover
Label: black & silver
Catalogue number: STL 5362
Matrix number: 886 759
Later re-issued with fully laminated sleeve and blue & silver labels

Byker Hill (1967)

Sleeve: wrap-around / printed card back cover
Label: black & silver
Catalogue number: STL 5434
Matrix number: 886 441
Later re-issued with fully laminated sleeve and black & silver labels

But Two Came By… (1968)

Sleeve: wrap-around / printed card back cover
Label: black & silver
Catalogue number: STL 5477
Matrix number: 886 484

Prince Heathen (1969)

Sleeve: full colour / fully laminated
Label: black & silver
Catalogue number: STL 5529
Matrix number: 886 777

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