2015 in review

2 January 2016

The WordPress.com stats helper monkeys prepared a 2015 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 8,400 times in 2015. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.

Click here to see the complete report.


Photo Gallery: Carthy & Swarbrick, 11 September 2015

11 October 2015

Posted by Kevin Boyd, 11 October 2015

A little bit later than I would have preferred, but here are a few shots from Martin and Dave’s gig at the Met Theatre in Bury on 11 September.


Photo Gallery: Martin Carthy, 3 July 2015

4 July 2015

Posted by Kevin Boyd, 4 July 2015

Martin played Manchester’s historic Band On The Wall on 3 July. Here are a few shots from the night…


#MC50 : Comparing Topic’s ‘Martin Carthy’ 50th anniversary re-issue with the Fontana original

19 April 2015

Posted by Kevin Boyd, 19 April 2015

Topic Records¬†issued their 50th anniversary edition of Martin Carthy’s debut album in a limited edition of 750 copies as one of their 2015 Record Store Day releases.

I thought it would be interesting to compare this edition with my original 1965 Fontana records copy (mine is the mono edition) so what follows are a series of compare and contrast photographs of the 1965 and 2015 editions.

Front Cover

The immediately obvious difference with the 2015 edition is the removal of the Fontana logo from the top right corner which has been handled very well compared with previous re-issues which either cropped the entire section of the cover (the 1970s vinyl re-issue) or blocked out the logo in black (the CD re-issue). This works so much better. Otherwise the cover is a faithful reproduction of the original although the new edition has a slightly more prominent blue hue whereas the original tended towards green in places (I accept that this could be due to the age of my copy). On closer inspection the image on the new edition is reproduced a little darker with higher contrast and saturation but slightly lower image definition and the text in the top right appears to have been re-set.

Back Cover

Again, this is a faithful reproduction of the original but with some slight alterations. The MARTIN CARTHY text has been re-set in a different (but similar) font. The track listing and main sleeve notes on the new edition appear to be the same font as the original but have again been re-set so there are a few discreet changes in layout and text placement. The necessary addition of the Topic logo, copyright notices and barcode are slightly less discreet changes. The main difference between the two editions is in the manufacturing method – the original 1965 mono edition features the then-standard ‘foldback’ sleeve with paper label pasted on top whereas the new edition is ‘fully-laminated’ (some later ’60s Fontana editions were also ‘fully laminated’ so arguably this is a ‘faithful’ reproduction but it obviously differs from my early¬†copy).

Inner Sleeve, label and spine

The 1965 edition only included a plain (blank) inner sleeve but the new edition has an attractive picture inner sleeve that reproduces a Karl Dallas review of Martin’s first two albums (no date given) and a transcript of his classic arrangement of Scarborough Fair. The labels are completely different by necessity and it’s nice to see one of Martin’s albums featuring the now-classic blue and silver Topic label design. Finally, the title and catalogue number on the spine differs from the original.


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